The Oscar for Best Picture came down to a battle between the favorites Lincoln and Argo. Ben Affleck’s Iran hostage crisis thriller won out, but fans are still arguing over which is the better flick. For some the answer came down to politics. What if Bill Buckley were still alive, which of the two would he prefer? Only one can be a true statement of conservatism, and that’s your winner.
“Opposing slavery and supporting the free market were, for the early GOP, two sides of the same coin,” said Michael Zak, a Republican Party historian and author of “Back to Basics for the Republican Party,” a book on the party’s heritage, connecting the achievements of Lincoln with that of Ronald Reagan. “Slavery impoverishes an entire society.”
. . David Von Drehle, author of “Rise to Greatness: Abraham Lincoln and America’s Most Perilous Year,” made a similar point in a Wall Street Journal op-ed in December, writing, “Lincoln’s determination to resist and finally defeat the slave system wasn’t based on ideas of racial equality, however, or on abstract ideals of human dignity. It was grounded in his belief that liberty of all kinds begins with economic freedom.”
Slavery had socialized the market, which of course made Abe’s political instincts itch. If I could get the Thirteenth Amendment passed, he thought, I could unshackle this low-wage economy (some instances, very low). The fight for the soul of America was on — and look who won. If those aren’t Republican bona fides, I don’t know what is. Lincoln was the better film. I think.
“Historians such as Doris Kearns Goodwin are acting as partisan Democrats when they claim that the parties have switched,” Zak said in an interview. “They can’t defend decades of Democrat villainy, so instead they smash and grab Republican achievements.”
Danger. Goodwin provided the source material for the movie. And the liberal production team, Steven Spielberg et. al., saw Abe as a fellow traveler. Audiences picked up on that, so the film is something of a politics trap. What a shame Chuck Norris didn’t write or direct it. I see little point in playing into the hands of Commie propagandists, you see. Maybe Argo?
. . it is clearly explained in the film that the U.S. government knows that nobody in Hollywood will help since they don’t want to take a risk; cooperate with the CIA, which they regard as evil; or lift a finger to save the Americans. Only one man — an independent director — is enough of an outcast and rebel rogue to help. The film is thus not a celebration of Hollywood as hero but a condemnation of the town for its anti-patriotic, narrow selfishness.
Sounds right, Euro-liberals. Only a Hollywood outsider could save the hostages.
After all, it was the Obama Administration that did the opposite of Operation Argo: it refused to try to save four Americans, including the ambassador, who were killed in Benghazi.
So an award for a film about saving Americans is given by a representative of a government that did not save Americans in front of a cheering crowd of people who — according to that film — would have refused to help save Americans as both sides congratulate themselves on what great people they are!
Sweet, delicious irony. The anti-Americans rewarding American heroism. Michelle Obama to boot! Good enough for me, Argo was the best film. What, no?
Rather than picking a movie that dramatized one of the most glorious moments in American history – the final abolition of slavery – the Academy chose a film that portrayed one of the most embarrassing – the Iran hostage crisis. Instead of a story of redemption based on military success, impassioned debate and bare-knuckled deployment of political power, the Oscar went to a daring rescue based on fast-talking Tinseltown scam artists and a silly Hollywood movie that didn’t even really exist.
A sleazy film director? Beating out the Great Emancipator? Only on Planet Hollywood.
. . the Lincoln liberals displayed a reverence for our sixteenth president and the epic achievements of his heroic generation that can arguably be called conservative, while spreading the wealth to a less deserving achievement like Argo reflects values on the part of the Motion Picture Academy that qualify as undeniably liberal.
But let’s not forget: Ben Affleck screwed Iran, which was amazing. Daniel Day Lewis got shot in the head, but never gloried in victimhood. Nobody had an abortion, golly! Come to think of it, there’s almost nothing to distinguish between the two films.